Keni Burke
Risin' to the Top / You're the Best (12 Inch Mix)
Keni Burke’s signature hit ‘Risin’ To The Top’ gets an official remastered, reissuealongside the 12 inch mix of his ’81 killer jam ‘You’re The Best’.
‘Risin’ To The Top’ quickly became aclear favourite of the soul crowd back in the ‘80s, with Keni’s sensuous vocals, a timeless bassline of epic proportions and those dreamy, sunshine chords proving a winning combination. Since then countless producers, from the likes ofDoug E Fresh and Slum Village, to LL Cool J and Mary J Blige, have utilised ‘Risin’ To The Top’ as a choice sample for their own productions. A quick glance at this seemingly endless list, just goes to show how much of an impact this record ended up having.
On the flip, ‘You’re The Best’, takes a more boogie paved path, filled with an undeniably groove laden bass synth, cosmic keys and Keni’s infectiously soulful vocals. It’s early eighties synth boogie at it’s best, placing the electronic elements at the forefront whilst holding onto that unquestionable funk at its core.
Two Keni Burke classics for soul heads, sample spotters and anyone with a keen ear for a gem.
RCA
12"
Jake Bugg
A Modern Day Distraction
UK rock troubadour, Jake Bugg, returns with his sixth album A Modern Day Distraction, on RCA records. A bone-crunching Beatles-via-Nirvana guitar driven banger, ‘Zombieland’ is a rollicking ode to the many broken by the inescapable daily grind, trudging on with a stiff upper lip. “It’s fucking brutal,” he says of the people he’s known who exist in “a constant cycle of working to live”. “They’re not paid what they’re worth. People have the same routine every day, they’re at work more than they see their kids, then the government puts the retirement age up. It’s not right.” Produced by Metrophonic at Metrophonic Studios in London, Jake returns to his roots on the rock-driven A Modern Day Distraction – a record that turns up the noise while shining a light on the injustice he’s seen dealt to the family and friends he grew up with. Fiery and engaged, the record was born out of a frustration of societal inequality. Bugg found that a time had come when he just couldn’t look away. “People might say ‘What do you know?’ or ‘Just stick to music’. I’ve got a bit of money, but we all know the people this affects. I was just writing it because it was the way I felt. It pisses me off – especially in a country like ours where we have the means and funds to take care of the people suffering the most, but we choose not to.”
RCA
CD | LP
Signed
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